15.12.2025
12:00 – 13:00
Visita guidata in italiano
Nella visita guidata in lingua italiana la dott.ssa Katharina Hausel offre una panoramica dell’opera di Emilio Vedova.
Katharina Hausel ha studiato storia dell’arte e italianistica a Berlino, Bologna e Pisa. Ha conseguito il dottorato sull’opera della fotografa Wanda Wulz di Trieste. Alla Berlinische Galerie è stata collaboratrice scientifica per la concezione della mostra e del catalogo della retrospettiva dedicata a Emilio Vedova nel 2008.
Costi e biglietti
La partecipazione è gratuita. È richiesto solo il pagamento del biglietto d’ingresso al Kunsthaus Dahlem. Vedi prezzi.
I biglietti d’ingresso sono disponibili in loco.
Altre visite guidate in italiano
Domenica, 11/01/2026, ore 12:00
Domenica, 22/02/2026, ore 15:00
Le visite guidate in lingua italiana sono realizzate con il sostegno dell’Istituto Italiano di Cultura di Berlino.
About the Exhibition
EMILIO VEDOVA – Mehr als Bewegung um ihrer selbst willen
21.11.2025 – 08.03.2026
With the exhibition Emilio Vedova – More than Movement for Its Own Sake, Kunsthaus Dahlem dedicates a show to the Venetian artist that focuses on his Berlin years from 1963 to 1965. This period marks an important phase in Vedova’s career, during which he embarked on new artistic paths.
Curator: Dorothea Schöne, Managing Director, Kunsthaus Dahlem
Invited by art historian Werner Haftmann as part of an artist programme run by the American Ford Foundation, Emilio Vedova (1919–2006) came to Berlin in November 1963 – a city that, more than almost any other, embodied contradictions: traumatised by the Nazi past, divided by the Cold War, and yet brimming with cultural energy. This “island city”, as Vedova called it, became the stage for a highly productive artistic and socio-political reckoning.
Vedova moved into the former state studio of Arno Breker in Dahlem, a site steeped in the history of National Socialist propaganda art, to which his works now stood in diametrical opposition. In the building’s vast central hall, he created a multitude of works characterised by great experimental spirit.
Rather than revisiting this frequently exhibited work, the show at Kunsthaus Dahlem concentrates on the lesser-seen works from Vedova’s Berlin years. Among them are several Plurimi created on site – both in the form of models and fully realised works.